![]() This category is intended for handcrafted fiber, straw, leather, or other similar materials. Fiber: No machine tooling, machine-screened patterns or other forms of mass production accepted.Drawing and Pastel: Drawing and Pastel is art created with pencils, charcoal, chalk, pastels, etc.Clothing/Textiles: Handmade cloth items created by processing, weaving or knitting.No machine made or mass-produced work will be accepted. Ceramics: Art that is Original Clay Work.An atmosphere of appreciation, kindness, and celebration that makes the event truly unique.Knowledgeable, attentive, and helpful staff.Artist information included and on the event website.A boxed lunch and bottled water, with a maximum of (2) each, per booth.Payment: Payment is required upon submission of application.īooth Space: Artist is provided a 10'X10' square tented space that includes (1) 6' table and (2) chairs. Applications are based on availability and may be subjected to a waitlist.Īpplication Fee: $150 (early bird special) $200 (regular rate) ![]() To be eligible for the fee discount, application must be received prior to May 31, 2023. Additional information and confirmation will be sent at time of application approval.Īpplication Deadline: Applications will be received until June 30, 2023. ![]() PLEASE NOTE: Kaleidoscope may add an additional evening event for vendors to participant in on October 6, 2023, anytime between 4-10pm. The edition is enriched by our seasonal tips on following, reading, listening, stopping by, meeting and visiting as well as by three special inserts - drawings by Ken Price, stickers by Alistair Frost and images by Alistair Frost.GENERAL INFORMATION - PROFESSIONAL ARTIST Hans Ulrich Obrist interviews the New York-based provocateur Liz Magic Laser Dorothée Dupuis introduces the hidden life of Marseille Luca Cerizza analyzes the emotional topography of Alberto Garutti and Carson Chan meets the DAAD’s visual arts director Ariane Beyn. Evoking celebrated artists like Charles Ray, Jeff Koons and Robert Gober, Benson uses the latest technology available and yet imbues the sculptural process with a profound understanding of physical materiality - making works that oscillate between analogue and digital, solidity and suspension, humor and elegance. ![]() Featured contributions include Michele D’Aurizio’s overview of the work of a new generation of artists Karen Archey’s analysis of the work of Canadian artist David Altmejd a discussion between Brody Condon and Jason Brown coordinated by DIS magazine and a conversation between young artist Timur Si-Qin and influential philosopher Manuel De Landa.Ĭomprising an essay by Alessandro Rabottini, an interview by Matt Keegan and a photographic portrait by Grant Willing, this issue’s MONO is devoted to American artist Frank Benson, whose work rides the dialectic between the space of the photographic image and the space of sculpture. This issue examines the emergence of an art that addresses the processes of mechanization, desexualisation and reification of the human body, and how they relate to questions of identity, morality and fantasy. The blend of cybernetics and underground culture realized in the symbolic and mythological repertoire of Cyberpunk continues to inspire sci-fi narratives and permeate the arts, reinforcing its status as a powerful aesthetic. ![]() This issue’s opening section features Aleksandra Domanovic, whose videos and sculptures are seen by Pablo Larios as embodiments of the perpetually productive disunion of politics and art the ambitious public art program of New York’s High Line, described by Piper Marshall as one that confronts artists with many challenges the record label Tri Angle, whose founder Robin Carolan talks to Ruth Saxelby about how to embody the zeitgeist of electronic music the Indian duo Desire Machine Collective, who discuss with Sandhini Poddar and Ulrich Baer about mapping an experimental history of colonization and American painter Sylvia Sleigh, whose elusive politics is contrasted by Joanna Fiduccia to the detailed realism of her portraits. Distributed worldwide on a seasonal basis, it has gained widespread recognition as a trusted and timely guide to the present (but also to the past and possible futures), unique in its interdisciplinary and unconventional approach. At the core of a platform that includes an exhibition space and an independent publishing house, KALEIDOSCOPE is an international quarterly of contemporary art and culture founded in 2009 in Milan. ![]()
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